The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace. Written by Sujit R. Varma

Letty Raines is a thief and con artist whose life is always one wrong turn, one bad decision, from implosion. Which is just how she likes it. Fresh out of prison, she's attempting to stay afloat. But when she overhears a hit man being hired to kill a man's wife, she sets out to derail the job, sending her on a wild collision course with the charming killer, and entangling them in a dangerous, seductive relationship.

A woman tries to solve the mysterious death of her brother, a famous DJ who disappeared from Ibiza many years ago.

Javier Falcon, Chief of the Homicide Division in Sevilla, must solve two different cases in a short period of time. An old friend who has infiltrated an Islamic terrorist cell in Sevilla and whose son is now being aggressively recruited for their cause, seeks out Falcon's help. In the meantime, the Russian mafia that he's been investigating has kidnapped a child and the ransom they are demanding is far too high. As these cases intersect, Falcon must decide who he can trust and how he can protect those he loves most before time runs out.

When flaky novelist Mario turns up one day at the school where Daniel teaches, the educator is convinced the writer is a spirit from his repressed past, buried deep in his subconscious. As children, the two might almost have been brothers. But the marriage between Daniel’s father and Mario’s mother never materialised. This unexpected re-encounter brings both families together. When Mario slits his wrists and dies, Daniel and his wife Laura provide a home for the dead man’s daughter. Laura, who is childless, loves the girl from the moment they meet, but Daniel feels increasingly nervous around her. The demons of his past guilt continue to torment him. Daniel suffers agonies – until things come to a head during a show down in the mountains.

The true-life, stranger-than-fiction tale of eighteenth-century Greek pirate turned merchant Ioannis Varvakis, who rose from humble beginnings to become the head of one of the largest mercantile empires in Europe.

The Story of Film: An Odyssey is a documentary series about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film. The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012. It was broadcast in the United States on Turner Classic Movies beginning in September 2013. The Telegraph headlined the series' initial broadcast in September 2011 as the "cinematic event of the year", describing it as "visually ensnaring and intellectually lithe, it’s at once a love letter to cinema, an unmissable masterclass, and a radical rewriting of movie history." An Irish Times writer called the program a "landmark". In February 2012, A. O. Scott of The New York Times contrasted the project with its "important precursor", Jean-Luc Godard’s Histoire du cinéma. In contrast to the Godard project, which Scott called "personal, polemical and sometimes cryptic", Scott described Cousins' film as "a semester-long film studies survey course compressed into 15 brisk, sometimes contentious hours" that "stands as an invigorated compendium of conventional wisdom." He also commended its "refusal to be nostalgic".