The Dinosaurs are an animatronics stone-age working-class family created by Jim Henson for Disney. Incredibly overweight, even for a dinosaur, Earl Sinclair is married to Fran and tries/fails to support 14-year-old valley girl Charlene, 16-year-old Robbie (whose crest eventually turns into a mohawk and gets dyed purple), widowed, cranky Grandma Ethel, and terrible-twos Baby, the true master of the house. Sharp social commentary is featured surprisingly often; Earl is a tree-pusher for the Wesayso Development Corp., which regularly implements schemes to screw their workers even more and destroy the world for marginal profit increment. Chilled but live prey are kept in the refrigerator and are helpful when you can't find the milk, and caveman humans make occasional appearances as wild animals and pets. Written by Dave Blake

Kermit the Frog (Whitmire) whilst on his travels back to the swamp he grew up on, remembers one of his earlier adventures. Kermit, Croaker (Barretta), Goggles (Mazzarino) and Blotch (Kennedy) are sent on a wild adventure into the outside world, when Croaker and bully Blotch and kidnapped and placed in a pet store. It's now up to Kermit and Goggle, with help from a friendly dog called Pilgrim (Summer) to save them. But someone else has his eye on them. Dr Krassman (Hostetter) wants to buy all the frogs and use them in biology lessons. Written by Film_Fan

A poor young woman is recruited by a friendly couple traveling in an RV into becoming part of the dark world of truck stop prostitution.

Albert and David Maysles' classic GREY GARDENS immortalized the estate of Edith and Little Edie Beale, relatives of Jacqueline Bouvier Kennedy, who lived in alarmingly poor conditions. But there is more to the story: it was Lee Radziwill and Peter Beard who first brought the Maysles to the Beales, when the two set out to make a film about Radziwill's childhood. The reels of that first contact were shelved for 45 years. This documentary recovers the lost footage. Anchored in Beard's recollections and artistic vision, we are returned to "that summer" in 1972, a seductive dream world and collage of radically unconventional creative personalities—Warhol, Bacon, Jagger, Capote—practicing the art of living amidst oppressive forces of class expectation and prejudice.