||IMDB Rating: 7.2/10 from 12 votes
||Release: 21 September 2000 (Netherlands) /
||Genre: Drama, Romance
||Director: Jeffrey Eugenides,
||Stars: A.J. Cook, Anthony DeSimone, Chelse Swain, Danny DeVito, Hanna Hall, James Woods, Josh Hartnett, Kathleen Turner, Kirsten Dunst, Lee Kagan, Leslie Hayman, Michael Paré, Noah Shebib, Robert Schwartzman, Scott Glenn
||Synopsis: A man about forty years of age tells the story from when he was a teenager in upscale suburban Detroit of his and three of his friends' fascination with the mysterious and doomed Lisbon sisters. In 1974, the sisters were seventeen year old Therese, sixteen year old Mary, fifteen year old Bonnie, fourteen year old Lux, and thirteen year old Cecilia. Their fascination still remains as they try to piece together the entire story. The sisters were mysteries if only because of having a strict and overprotective upbringing by their father, who taught math at the girls' private co-ed school, and overly devout Catholic mother, who largely dictated the household rules. The story focuses primarily on two incidents and the resulting situations on the girls' lives. The first was an action by Cecilia to deal with her emotions over her life. And the second was the relationship between Lux - the sister who pushed the boundaries of the household rules most overtly in doing what most teenagers want to... Written by Huggo
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I'm uncertain why the daughter of a Hollywood icon would select as her first
director effort a nearly unfilmable book of linguistic time bombs and nearly
unspeakable tragedy. Jeffrey Eugenides's book The Virgin Suicides is one of
the underappreciated gems of the 1990s and surely Sophia Coppola must have
known that the critics would have it out for anything she did (see reviews
listed under "acting: Part 3, The Godfather"). So Coppola, daughter of
Francis Ford, decided to do something unexpected: She made a gem of a movie
that's easy to like and complex enough to savour.
Taking place "25 years ago" in "Michigan," The Virgin Suicides tells the
story of a group of teenage boys and the Lisbon sisters, whose suicides
changed them forever. The book is told with a rather unique choral narrator
(the entire story is in the first person plural) which makes it clear that
the focus of the story is not the Lisbons, but the boys and their attempts
to restructure the events of what must have been their final summer of
innocence. Similarly, the film features extensive voice-overs, culled from
the book, coming from an unidentified member (or members) of the gang. You
might wonder why you're never able to distinguish between any of the four or
five or six males who wander through the story, or why at least several of
the Lisbon girls also blend together, but rest assured it's intentional. The
Virgin Suicides is very much about a baffled collective.
The movie begins with the first suicide attempt of the youngest Lisbon girl.
When the doctor examining her asks why should would try to kill herself she
offers the simple response, "Obviously, Doctor, you have never been a
thirteen year old girl." The book and film are both really about men and how
incapable we are of understand what it's like to be a thirteen year old girl
or a thirty year old woman or really anything in between. And what's even
more frustrating is the fact that women seem to understand men so
devastatingly well (a trait perfectly personified in Kirsten Dunst's
portrayal of middle sister Lux). The narrative such as it is marches
inexorably through the gradual awakening of the narrators and the inevitable
realization that they never knew anything.
Coppola, who also adapted the screenplay, makes decent use of the book's two
metaphorical subplots -- an outbreak of Dutch Elm Disease and a cemetery
worker's strike. The rot of suburban life lies at the core of this story and
Coppola wisely never overplays her hand. She loves using mythic imagery,
generally revolving around Dunst, an actress beginning to produce the kind
of resume that speaks of longevity. Coppola's background in costuming is
also evident, displaying the decadence and tackiness of the observing
characters, contrasted with the spare Puritainism of the
Coppola gets mostly good performances from the young generation of her cast.
As the only two characters to get individual notice, Dunst and Josh Hartnett
do excellent work. She's the animal core of the film and he perfectly
captures the perplexed, corrupted purity of the male side of the story.
Playing against type, James Woods is excellent as the Lisbon's introverted
henpecked father and Kathleen Turner is effectively scary as their
The film is also aided by some wonderful technical work including Jasna
Stefanovic's nostalgic, but never cutesy production design and Edward
Lachman's versatile cinematography. The soundtrack by the French band Air is
also notable, mixed with various hit songs from the period.
The Virgin Suicides has perhaps too many moments of whimsy, where it seems
too devoted to its source, even when the material doesn't translate
properly. But still, it's the moments of magic -- the Lisbon girls prom, an
eerie family party, and phone conversation spoken only with records -- that
stand out. I'd give this one an 8/10.
Tags for Full Movie
, Anthony DeSimone
, Chelse Swain
, Danny DeVito
, Hanna Hall
, James Woods
, Josh Hartnett
, Kathleen Turner
, Kirsten Dunst
, Lee Kagan
, Leslie Hayman
, Michael Paré
, Noah Shebib
, Robert Schwartzman
, Scott Glenn
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