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The Tesseract
IMDB Rating: 5.5/10 from 1,116 votes
Release: 9 June 2005 (South Korea) /

The Tesseract

Genre: Action, Crime, Drama, Thriller
Director: Oxide Pang Chun,
Stars: , , , , , , , , , , , , , ,
Synopsis: In Bangkok, in a low-budget hotel called "Heaven", the fate of four guests are interconnected due to a theft in a room: Sean, a paranoid English drug dealer, that is dealing with a powerful local drug lord; the also British psychologist Rosa, who is grieving the loss of her son and making a research with poor children in Thailand; a seriously wounded killer, hired to kill the mobster; and Wit, a thirteen years old abused bellboy, that steals the guests. In the end, we see that it is almost impossible to control life, and sometimes, a subtle incident may lead to fatality. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Critic Reviews

Oxide Pang -- one-half the Pang Brothers -- directs THE TESSERACT, a stylish, hyper-kinetic tale of good folks gone bad -- kinda/sorta -- in this kinda/sorta good-to-great film thriller.

By utilizing flashbacks, flashforwards, and ... erm ... flash-sidles (if there can be such a thing), Oxide Pangs crafts his film together more as an experiment in narrative voice, but he pretty much confides in this technique for the involved set-up of these four disparate folks: a drug dealer trying to score a big delivery; a comely psychologist trying to come to terms with the death of her young son; a professional assassin (can you ever have just one?!?!); and a thirteen-year-old thief who misunderstands the concepts of right and wrong. These four folks all converge on a hotel where their lives criss and cross as dramatically staged flybys and near-misses ... but, come the conclusion of the film, they collide with devastating results.

In a style very reminiscent of their earlier work, BANGKOK DANGEROUS, half-a-Pang flashes quick visuals with unusual camera angles almost universally throughout TESSERACT. However, some of the visuals pull the viewer away from the story a bit much, so the effectiveness of the technique -- perhaps a further study in it so far as Oxide is concerned -- is arguably debatable ... but the film's atmosphere is not. You can almost smell the decay when you're drenched with the seedier parts of the city, finding yourself quite possibly as repulsed as you are captivated by the events. Think of Oxide Pang's work as very Spielbergian in terms of tone and lighting, but with healthy parts of Scorsese thrown in to propel the narration.

Well-paced except for a few awkward moments early one where technique clearly outdistances the story, this slick glossy still makes for quality & interesting viewing ... but, as for shelf life, it might have a short life except for fans of the Pang Brothers and/or experimental films.

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