||IMDB Rating: 7.3/10 from 16 votes
||Release: 21 July 2005 (Netherlands) /
||Genre: Action, Crime, Drama, Music, Romance, Thriller
||Director: Jacques Audiard,
||Stars: Agnès Aubé, Anton Yakovlev, Aure Atika, Denis Falgoux, Emmanuel Finkiel, Emmanuelle Devos, Etienne Dirand, Gilles Cohen, Jonathan Zaccaï, Linh Dan Pham, Mélanie Laurent, Niels Arestrup, Romain Duris, Sandy Whitelaw, Serge Onteniente
||Synopsis: Twenty-eight-year-old Tom leads a life that might be termed as criminal. In doing so, he follows in the footsteps of his father, who made his money from dirty, and sometimes brutal, real estate deals. Tom is a pretty hard-boiled guy but also strangely considerate as far as his father is concerned. Somehow he appears to have arrived at a critical juncture in his life when a chance encounter prompts him to take up the piano and become a concert pianist, like his mother. He senses that this might be his final opportunity to take back his life. His piano teacher is a Chinese piano virtuoso who has recently come to live in France. She doesn't speak a lick of French so music becomes the only language they have in common. Before long, Jacques' bid to be a better person means that he begins to yearn for true love. But, when he finally has the chance of winning his best friend's wife, his passion only succeeds in scaring her. And then, one day, his dubious past comes to light... Written by Sujit R. Varma
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The premise is far-fetched but simple. Approaching thirty, Tom Seyre
(Romain Duris) is working hard as an enforcer and violent rent
collector for his dad, a scumbag real estate tycoon (Niels Arestrup).
But a chance encounter starts him thinking he might be the talented
concert pianist he once dreamed of, in the image of his late mother.
Without stopping his usual work he tries to prepare an audition.
Based on a flop more admired in France than the US, James Toback's 70's
Harvey Keitel vehicle about a violent would-be pianist, "Fingers," this
compulsively watchable, thrillingly accomplished new movie by Jacques
Audiard ("De Battre mon cur s'est arrêté", still showing in Paris as
it opens here) echoes his previous compellingly offbeat "Read My Lips"
in grafting together two separate moral universes. Read My Lips
depicted the odd alliance of a firecracker ex-con (Vincent Cassel) and
a mild-mannered but angry hearing-impaired office worker (Emmanuelle
Devos). It was an intriguing piece -- but seems low energy in
retrospect compared to this. Audiard has made a powerful actors' movie
in which Duris blooms, a powerful actor now, playing in effect both the
Cassel and the Devos parts and acting out the resulting implosion of
violence and frustrated artistic passion with astonishing zest. It's
hard to believe he was the tame college student narrator of Klapich's
"L'Auberge espagnole" three years ago.
Duris as Tom is good-looking but vaguely burnt-out, his eyes a bit
crazy, his hair neatly coifed, his jaw firm, has mouth a smiling snarl.
The camera is on that square jaw every minute. Uniformed in boots,
smart pants, tie and trim leather jacket, he's an elegant young hoodlum
who can switch to a dark suit for a real estate hearing or audition, or
wipe the blood off his cuff to enter a café or concert hall. He's angry
all the time but brings vibrant energy to both of his conflicting
lives. Tom finds a beautiful long-haired young master pianist called
Miao Lin (Linh Dan Pham) to coach him in piano. These encounters with
the keyboard he approaches like a prize fighter going at a punching
bag. If he's an artist it's the hairy-chested, coiled, macho kind. How
can you teach anybody pianistic excellence? The impossibility of the
process is signaled by the teacher's speaking no French. She harangues
Tom in Vietnamese, or just says in English over and over, "again" Or
"no." Or "no smoking allowed." A cup of tea in the kitchen at end of
session. Tom goes at the same piece over and over, a Bach Toccata. This
relationship is an "oasis of calm" in Tom's otherwise 'loca' 'vida' --
the contrasts in such a piece as this are telegraphed without much
subtlety -- but the unconventionality of the pair helps the scenes to
avoid cliché. And the intensity is just as focused in these quiet
There are other strong relationships. Tom isn't isolated; he works with
partners, one of whom uses him to hide his two-timing from his wife.
Arestrup, who looks like a French version of late Brando, is superb as
the blowsy, burnt out father, a big sensualist, an irresistible
presence, always smoking drinking and eating, soft but nasty,
irritating but impossible for Tom not to love and protect. Tom pursues
Minskov (Anton Yakovlev), a Russian Mafioso his dad has tangled with,
and winds up sleeping with Minskov's French girlfriend as well as
somebody else's wife. Every encounter he has is reckless and intense.
Duris doesn't fail us in any of this. Emmanuelle Devos is his dad's new
girlfriend, whom Tom first calls a whore and rejects and then wants to
hire on to calm things on the home front. Where's it all going to end?
Despite all that's going on, as one French critic said, "there's no
fat" in this picture. The pushes and pulls of the hero's dilemma make
for fabulously kinetic editing and the action never goes soft. A final
sequel resolves things. Some say it's milder than the American version,
but that's overlooking the visceral punch of the action throughout. The
dialogue underlines that just as in Read My Lips, people aren't
communicating too well. It may be music is all that links them.
The shortcomings of such a movie are its simplifications. The crooked
real estate life like the classical pianist life can be no more than
impressionistically dabbed in. And there's an occasional danger that
Romain Duris -- who studied piano for months with his pianist sister
for the keyboard sequences -- may be trying too hard sometimes. Since
Tom also loves electro which he listens to with big headphones in his
car -- as the word is Duris himself does -- classical music maybe
doesn't grab the film as wholeheartedly as it ought to. You can't
expect profundity but from the sound of "Fingers," this is more
accomplished film-making. It may not have as much conviction, but this
is wildly entertaining. And more than that, it's a movie where
everything comes together, scenario, actors, editing. Audiard, who
showed us dark secret places last time, now reveals himself a virtuoso
of violence and passion.
Tags for Full Movie
, Anton Yakovlev
, Aure Atika
, Denis Falgoux
, Emmanuel Finkiel
, Emmanuelle Devos
, Etienne Dirand
, Gilles Cohen
, Jonathan Zaccaï
, Linh Dan Pham
, Mélanie Laurent
, Niels Arestrup
, Romain Duris
, Sandy Whitelaw
, Serge Onteniente
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