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||IMDB Rating: 7.1/10 from 12 votes
||Release: 3 March 2005 (Netherlands) /
||Director: Todd Haynes,
||Stars: Allan Wasserman, Chauncey Leopardi, Dean Norris, Jean St. James, Jodie Markell, Julianne Moore, Julie Burgess, Martha Velez, Ronnie Farer, Saachiko, Steven Gilborn, Susan Norman, Tim Gardner, Wendy Haynes, Xander Berkeley
||Synopsis: "Safe" has been described as a horror movie of the soul, a description that director Todd Haynes relishes. California housewife Carol White seems to have it all in life: a wealthy husband, a beautiful house, servants, beauty, and a lot of friends. The only thing she lacks is a strong personality: Carol seems timid and empty during all of her interactions with the world around her. At the beginning of the film, one would consider her to be more safe in life than just about anyone. That doesn't turn out to be the case. Starting with headaches and leading to a grandmal seizure, Carol becomes more and more sick, claiming that she's become sensitive to the common toxins in today's world: exhaust, fumes, aerosol spray, etc. She pulls back from the sexual advances of her husband and spends her nights alone by the TV or wandering around the outside of her well-protected home like an animal in a cage. Her physician examines her and can find nothing wrong. An allergist finds that she has an ... Written by David Eschatfische <email@example.com>
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I watched Safe for our coverage of 1980s's health movements and the AIDS
virus with a special eye for the conflict between New Age healers and "the
medical profession." Safe connects so well with both; although there's no
real homosexuality anxieties in the film, AIDS seem the unconquerable
illness penetrating the lives of happy suburban people.
First of all, Julianne Moore is absent in the film. Her character,
Carol White, is a model, rich California suburban housewife. We notice
absent she is from the moment that sex with her husband produces nothing
her, but she goes through the motions of kissing him and petting him
afterwards. She has mechanical conversations with friends, with mother,
with cleaning lady in her ultramodern, lush, carpeted, fashionably lit
with gardens surrounding it and police patrol by night. She goes to her
workouts, cleaners, and arranges furniture.
This is a really tragic film. It's also brilliantly shot, edited,
and its sets are so appropriate. The use of teal and sky blue becomes
numbing, anesthetizing in Carol's home, as does the harsh lighting of the
doctor's office and the hospital. The Wrenwood Center itself resembles
where Deckard would have gone at the end of Blade Runner as the orig. end
credits seemed to indicate: mountains and nature as an antidote to the
However, it's not URBAN life that seems to be killing Carol- it's SUBURBAN
life, it's Northern California, it's fruit diets, mini-malls, 80s music
playing in health clubs, housewifes, gardens, pools, teal green couches,
endless lines of cars, power lines, and street lights. It's dismal, and
family life is no big help having no real life to it.
At one point, in a really wrenching scene, Carol cries, looks at Greg
the bed and asks "Where am I? Right now?" He responds flatly but
"You're in Carol and Greg's house." She only cries more.
The question is: what is really wrong with Carol White? Did she
to depression and make herself a psychosomatic illness? Is she really
and dying? Is she just afraid of living? It seems to me the more that
Carol is told that she is the only one with the power to cure herself, the
less power she seems to have. The final monologue where she stands in
of the group and discusses how far she's come is inarticulate, random,
unthought, and not a good sign.
The acting is done well for its purposes, especially by Peter Dunn, the
leader. He creates an interesting portrait of a man who is so determined
be a victim that he's created people who are dependent on him. Peter is
only dynamic presence in the film, but even he wants peace, love, and
tranquility in our hearts. That doesn't seem to feed Carol.
This film reminded me of Koyaanisqatsi, visions of emptiness and life
out of balance. Carol looks out her car window at the highways and
powerlines and headlights, and she reminded me of someone watching that
film, fearing technology. Yet even retreating from technology is not an
ALTERNATIVE: it's a sign of defeat, isn't it?
The film doesn't offer solutions- only one of the most frightening,
eerie, and numbing indictments of suburbia and the New Age that I have
seen. It puts its images, sets, sounds, actors into a collective vision
decay, expressed through the decline of the model suburban housewife. See
it, but don't look for answers or happy endings.
Tags for Safe Full Movie
, Chauncey Leopardi
, Dean Norris
, Jean St. James
, Jodie Markell
, Julianne Moore
, Julie Burgess
, Martha Velez
, Ronnie Farer
, Steven Gilborn
, Susan Norman
, Tim Gardner
, Wendy Haynes
, Xander Berkeley
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