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||IMDB Rating: 6.1/10 from 1,609 votes
||Release: August 1972 (UK) /
||Genre: Comedy, Crime, Drama, Foreign, Mystery, Thriller
||Director: Mike Hodges,
||Stars: Al Lettieri, Amerigo Tot, Dennis Price, Giulio Donnini, Joe Zammit Cordina, Leopoldo Trieste, Lionel Stander, Liù Bosisio, Lizabeth Scott, Luciano Pigozzi, Maria Cumani Quasimodo, Michael Caine, Mickey Rooney, Nadia Cassini, Robert Sacchi
||Synopsis: Michael King is a seedy writer of sleazy pulp genre novels under a half dozen sensational pseudonyms whose ambition is to dictate 10,000 words per minute to stenographers a la Earle Stanley Gardner. He's recruited by the agent of Preston Gilbert, a quirky ex-Hollywood star currently living reclusively in exile in Malta, to help him write his biography. Despite being pursued by an enigmatic hit man, Gilbert has a large entourage of eccentrics and remains an inveterate practical joker. After Gilbert is eventually murdered by an apparent priest, King tries to stay alive himself while interacting with a variety of idiosyncratic characters including an ersatz princess, a henpecked clairvoyant, and a cross-dressing hit man. Written by G. Taverney (firstname.lastname@example.org)
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Watch Pulp - Alternative Versions.
"Can you walk a little faster?" said the whiting to the snail. "There's a
porpoise right behind me, and he's treading on my tail..."
Michael Caine had a pretty good year in 1972. GET CARTER was one of his
best-ever films, but he was also nominated, along with Laurence Olivier,
an Academy Award for his rôle in the film adaptation of Anthony Shaffer's
stage play SLEUTH (neither of them got it, though - that year it went to
Marlon Brando in THE GODFATHER).
More an off-beat comedy than a drama, PULP is a nice little blend of Alfie
and Harry Palmer, and is a sadly unregarded gem that has nevertheless
a bit of a cult film loaded with many inside jokes. The 'three Michaels' -
Mike Hodges, Michael Caine and Mike Klinger - may not have hit similar
paydirt as with their GET CARTER, but the sheer knowing coolness of pulp
writer Mickey King's (Caine) Chandleresque voiceover dialogue is carried
with caustic wit, panache and style ("The day started quietly enough, then
got up."); in fact, there are four Michaels if one adds Mickey Rooney -
a fifth if one includes the main character, Mickey King. Fearing possible
stereotyping as a Hard Man, PULP was intended to be the opposite of
hard-hitting Jack Carter character: affecting the relaxed raffish air of
self-satisfied ex-pat (he left London and his lucrative job as a
funeral-director, and elbowed the wife and three kids), Mickey King glides
about the Mediterranean in a dapper white corduroy suit, churning out
gangster fiction paperbacks under ludicrous aliases (Guy Strange, Gary
Rough, Dan Wilde, Les Behan, newly-discovered Indian writer Dr. O.R. Gann,
and struggling Nigerian author S. Ódomi) and hard-boiled titles (Kill Me
Gently, The Kneetrembler and My Gun Is Long). In fact, his voiceover
dialogue of heroic action is the opposite of his real-life reaction when
confronted with dangerous situations - starting with a succession of taxis
completely ignoring his hails!
Neatly filmed on Malta, G.C., the film is an odd joy from beginning to
with little pastiches that are hommages to John Huston (the FBI agent who
appears to be Bogart enquiring from whom appears to be Peter Lorre after
what turns out to be a Maltese falcon ...) and wonderful quirky
King's publisher, Markovic, is "a Greco-Albanian born in Budapest" with a
bladder problem. Obviously vegetarian, the Mysterious Englishman, Mr.
Balmoral (Dennis Price), is reading Alice In Wonderland for the 118th
and so well able to insult steak-eatin' folks from steak-lovin' Texas from
it; could he be part of the developing mystery? Lionel Stander puts in a
nice turn as a laid-back, ageing wiseguy ("His name was Ben Dinuccio. It
the nicest thing about him."). Starting at the Temples of Zonq, leggy
Cassini (Liz Adams) shows why hotpants were - and still are! - great
[Cassini went on to become a 1970s and 1980s starlet in Italian erotica
Trash flics]. Swarthy and moustachioed, Al Lettieri (Ben Miller) plays ...
well, Al Lettieri, the stereotyped rôle he can never get away from: the
'heavy' - as he did in The Getaway and Mr. Majestyk - who dons the
garb and eventually meets with an undignified (for a heavy, that is) end.
One of Gilbert's ex-wives, sexy-voiced Lizabeth Scott (Princess Betty
Cippola) shmoozes suggestion as she knows The Establishment are really In
Control of events (she calls her husband Dago).
But the real treat is Mickey Rooney as the faded film star, Preston
ejected from Hollywood for his Mob associations. In a villa on a private
island, with his deaf mother, companion Liz and his PR-man Dinuccio,
semi-reclusive Gilbert lives the life of the wealthy idler reliving past
glories by playing old 78s and corny soundbites from his Cagneyesque old
gangster films, and inflicting practical jokes on unsuspecting tourists.
Delightfully hamming it up, his poncing around in his skivvies [I
at the double-mirror bit] and applying his toupée is a marvellous send-up
himself! With the Big Sleep approachin' Gilbert hires King to ghostwrite
lifestory plus a few revelations - "a death-rattle in paperpack, eh?"
according to a sceptical King. Preston insists the book come with an
quote from Samuel Goldwyn, "We all passed a lot of water since
Hodge's cutaway scenes show a nice eye for detail. Elections are due, so
throughout there are street marches by elderly and not-very-impressive
hangers-on of the New Front party of creepy law-and-order politician
Frank Cippola - a comment on then-topical real-life Prince Borghese and
quasi-establishment, certainly neo-Fascist, Spada movement. "The wizard
ringing in," the dignified pain of ashamed former Partisan Signor Lepri,
the "retired gunman who drew too late - twice" supping cola at the 42nd
Street Bar (King sits under a plaque saying Ave Maria) add to the quirky
Poignant are the closing scenes. Whilst King feverishly hammers out the
imagined ending to his own ordeal (in which he re-uses passages from
previous novels), Cippola's shooting-party have hounded a wild boar toward
his shooting platform (in a scene that would be unacceptable today).
Trapped, the wretched beast has nowhere to go. Safe from the boar's
attempts to charge the wire, it's an easy shot, no real competition.
bagged his kill, unassailable aristocrat Cippola raises a glass of
to the camera. "I'll get you, you bastards ..." wails King, unable to
scratch an itch ...
Yup, a gem.
Tags for Pulp Full Movie
, Amerigo Tot
, Dennis Price
, Giulio Donnini
, Joe Zammit Cordina
, Leopoldo Trieste
, Lionel Stander
, Liù Bosisio
, Lizabeth Scott
, Luciano Pigozzi
, Maria Cumani Quasimodo
, Michael Caine
, Mickey Rooney
, Nadia Cassini
, Robert Sacchi
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