Watch Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad putlocker
||IMDB Rating: 5.0/10 from N/A votes
||Release: 15 Feb 1967 /
||Director: Richard Quine, Alexander Mackendrick,
||Synopsis: A mother drops her son and husband off at a tropical vacation spot for a little rest and relaxation. The only problem is that the husband has been dead for quite some time, and his wife had...
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Watch Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad - Alternative Versions.
Okay, so the sixties was the decade when lots of rules were broken and new
frontiers were forged. Unfortunately, alot of this rule-breaking looks
self-indulgent and stupid now. Take the case of OH DAD ..., which is based
on a George(or is it William?)Kopit play. Not quite absurdist but definitely
absurd, the story involves a woman who lugs her dead husband's corpse with
her and her adult virgin son as they traverse various resorts. Rosalind
Russell is the white-clad, pastel-wigged mother, Robert Morse the wimpy
man-child, and Jonathan Winters is Poor Dad in the closet(also the
narrator). Also on hand is Barbara Harris as a young nymphet--one of the few
reasons to see the movie. I happen to like Harris, and her film roles are
few and far between(FREAKY FRIDAY and FAMILY PLOT are probably her most
readily available films), so I grabbed POOR DAD at a small independent video
shop several years ago. Harris is a great comic actress, and although
she is one of the good things about POOR DAD, it's not one of her better
Winter's character narrates and points out the plot points of this film as
it goes along, almost to cue the audience how to react to the next scene.
It's interesting to note that, despite all the big names, this movie tanked.
Probably because nobody knew what the hell this movie was--Winters' wacky
narration and the goofy flashbacks detailing his courtship and marriage of
Russell (who parodies her Auntie Mame persona) stab at being comic in that
manic 1960s way (think of the way the old Monkees TV show was shot), or some
kind of weird symbolic representation of the spiritual bankruptcy of the
collective American soul (nobody has a corpse in a closet strickly for
shtick purposes). And THAT TITLE . . . a sure sign the film is a bomb. If
you're a student of film and feel the need to survey the various kinds of
films that were perpetrated during the sixties, you might want to give this
one a try. Or maybe not
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