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||IMDB Rating: 6.5/10 from 2,180 votes
||Release: 24 January 2008 (Netherlands) /
||Genre: Biography, Drama, History
||Director: Peter Greenaway,
||Stars: Agata Buzek, Anja Antonowicz, Emily Holmes, Eva Birthistle, Fiona O'Shaughnessy, Jodhi May, Jonathan Holmes, Kacper Kasiecki, Kevin McNulty, Martin Freeman, Michael Teigen, Natalie Press, Reimer van Beek, Robert Zalecki, Toby Jones
||Synopsis: The year 1642 marks the turning point in the life of the famous Dutch painter, Rembrandt, turning him from a wealthy respected celebrity into a discredited pauper. At the insistence of his pregnant wife Saskia, Rembrandt has reluctantly agreed to paint the Amsterdam Musketeer Militia in a group portrait that will later become to be known as The Nightwatch. He soon discovers that there is a conspiracy afoot with the Amsterdam merchants playing at soldiers maneuvering for financial advantage and personal power in, that time, the richest city in the Western World. Rembrandt stumbles on a foul murder. Confident in the birth of a longed-for son and heir, Rembrandt is determined to expose the conspiring murderers and builds his accusation meticulously in the form of the commissioned painting, uncovering the seamy and hypocritical side to Dutch Society in the Golden Age. Rembrandt's great good fortune turns. Saskia dies. Rembrandt reveals the accusation of murder in the painting and the ... Written by Anonymous
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In a way, Greenaway is my touchstone for deep film experience. It was
with him that I first studied the things that have since become part of
every viewing experience, from "Godzilla versus the Sea Monster" to the
more homeopathically transcendent meditations of Medem and Ruiz.
Each film is its own adventure, and that's part of the joy. Each film
is similar in reaching for a context outside of the ordinary context of
other films, so it helps if you are knowledgeable about the dynamics of
those contexts. Which of those that are more natural to you will color
which of his films you prefer.
I like his "book" films the best because I had prewoven worlds that he
just happened to encircle. All of his looping narratives and playing
with discrete objects, events and relationships strung and structured
capture me when they are prominent. I'm not crazy about his projects
when he drifts toward conventional narrative as he does here and away
from engaging in conceptual play.
This is more like "Draughtsman's Contract" or even "Cook, Thief" than
his more complex films, so many people will like it. Its also his
prettiest film since he lost his long time cinematographer.
If you don't know this film, its a simple fold: its about Rembrandt
creating a painting with deep, Greenaway-like meaning. The filmmaker
goes to great lengths to visually make his relationship to the film be
similar to Rembrandt's with the painting, and thereby fold us into the
thing because we see and hear (in great detail) viewers of that
painting react. And they punish our painter much like the filmmaker has
Threaded throughout is a rather touching story not unique in
Greenaway of a man and passion, and the woman and then women he
loves. And how passion and love, and creativity encompass one another
and drive that energy of life that we count on artists to use to break
mountains ahead of us so we can pass.
Its the women here. It is always the lovers who allow creativity, who
grow it and channel it. There is no real penetration of life without
it, and the night it brings. Just on the straight narrative alone, its
powerful. It works. The whole thing works, and could be a theatrical
success for a wider audience than usual.
The three lovers are redheads, of course.
Ted's Evaluation -- 3 of 3: Worth watching.
Tags for Nightwatching Full Movie
, Anja Antonowicz
, Emily Holmes
, Eva Birthistle
, Fiona O'Shaughnessy
, Jodhi May
, Jonathan Holmes
, Kacper Kasiecki
, Kevin McNulty
, Martin Freeman
, Michael Teigen
, Natalie Press
, Reimer van Beek
, Robert Zalecki
, Toby Jones
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