Watch Meek's Cutoff (2010) putlocker
||IMDB Rating: 6.5/10 from 7,625 votes
||Release: 9 August 2012 (Netherlands) /
||Genre: Drama, Western
||Director: Kelly Reichardt,
||Stars: Bruce Greenwood, Michelle Williams, Neal Huff, Paul Dano, Rod Rondeaux, Shirley Henderson, Tommy Nelson, Will Patton, Zoe Kazan
||Synopsis: The year is 1845, the earliest days of the Oregon Trail, and a wagon team of three families has hired the mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a short cut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants must face the scourges of hunger, thirst and their own lack of faith in each other's instincts for survival. When a Native American wanderer crosses their path, the emigrants are torn between their trust in a guide who has proven himself unreliable and a man who has always been seen as the natural enemy. Written by Oscilloscope
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Watch Meek's Cutoff (2010) - Alternative Versions.
'Who knows what's over that hill? Could be water, could be an army of
blood or water' the words of Stephen Meek, a hardened
pioneer of the Western front, whose name is more than a slight
contradiction of character. The year is 1845 and Meek is the guide for
members of three families who have left the settlements on the thriving
Eastern Seaboard of America and are now undertaking the last leg of
their long journey, through Oregon desert. Although they are at the
brink of their destination the uncertainty of their route, the need
for food and water, and more than anything the threat of Indigenous
tribes is deeply felt.
Kelly Reichardt has been an intriguing presence on the independent
scene for several years now. While sparse and potentially esoteric, her
previous films Old Joy and Wendy and Lucy felt very unique, rich in
atmosphere and subtext. This one, shot in the 4:3 aspect ratio this
is clearly not about gorgeous panoramic Western vistas, but an arid
environment and sense of isolation, constriction and fear that the
characters can't escape. The cinematography is enveloping every image
and sound has clarity of intent and authenticity that's impressive, but
not mechanical, there's a level of artistry here that's seamless.
Reichardt has done a remarkable job. The way in which we first
encounter this group has an almost voyeuristic dimension. We observe
them bringing their belongings across the river, cages and basket
across, a woman pregnant. The classic wagon vehicle. We see the
necessity they feel to wade through and continue on their journey no
matter what. Reichardt's not interested in fulfilling the conventions
of the genre or even screen writing at large nothing is indicated,
nothing is too obvious and the decisions she makes in terms structure
and thematic elements are felt on a subliminal level, right up until
the final shot. By defying expectations of the genre and her film
becomes all the more engrossing.
This is quite a simple story about people with simple customs and
practical needs driven by a need to fulfill their 'Manifest Destiny'
the inherent right they feel to colonize this new land. Setting off
on the journey, Meek himself tries to enforce his high status, telling
the youngsters cautionary tales of bears and brutes and emitting a
seemingly affable macho persona. For the rest of the group, there is a
sense of communal obligation and not too much time for soul-searching
or camaraderie. Reichardt does not draw attention to anything - whether
it be the name actors she has playing these very pared down roles or
the multitude of themes and messages running beneath the surface.
Among the eclectic ensemble of actors in the film is Michelle Williams,
Reichardt's muse previously on Wendy and Lucy who continues to go
from strength to strength in proving her versatility and conviction as
an actress. Here she plays Emily Tethero a young mother on this trek,
and eventual moral compass for the audience. She's invisible in the
role - in the best sense; there is no big announcement or introductory
close-up of her arrival on screen as 'Two-Time Academy Award®-nominee
Michelle Williams', now playing dress-up in the desert the blatant
heroine of the piece. No, Reichardt is smart and knows how to treat the
audience with intelligence, she does not indicate anything. However, as
the narrative unfolds, Emily's increasing speculation over their route,
her concerns about water and private ideas of gender roles makes her an
adversary for Meek.
These tensions come to a head however when they encounter a Native
American Indian. From the moment this happens Williams' character
immediately decides to take very practical action to the threat. But
soon enough this Cherokee man becomes a possession for the group, an
entity they fear so intensely yet cannot let go of they interrogate
him to find out the route, to know of any more like him who may attempt
to destroy. The fear of the Other is palpable and the ultimate intent
of the film is revealed.
However, Emily Tethero is the one who listens to him she hears him
praying despite not understanding his words, she also repairs his shoe.
She begins to become more lenient with him, despite her upbringing and
societal beliefs. As the group's situation begins to become more
desperate - these various gestures and allowances enrage Meek with a
turbulent dynamic beginning to form and some consequence and yet it
never descends into hysterics.
If the job of the artist is to deepen the mystery - then Kelly
Reichardt has succeeded. By the end of this film there are no clear
answers. There is no sense of the world being set to rights by this
story, the film does not presume that what it is has to say about race
relations (still relevant in 2011 and beyond) is closing the book on
the topic, not for the characters, nor the audience. The film is not
about these people's ultimate destination because the sense of closure
and satisfaction felt at the end of most movies is an illusion - an
entertaining one, which we can suspend our disbelief to enjoy, but an
illusion nonetheless. Here that kind of compromise is not necessary,
and to witness this on screen is like a window into the past.
Tags for Meek's Cutoff (2010) Full Movie
, Michelle Williams
, Neal Huff
, Paul Dano
, Rod Rondeaux
, Shirley Henderson
, Tommy Nelson
, Will Patton
, Zoe Kazan
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