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||IMDB Rating: 8.0/10 from 18 votes
||Release: 14 December 1961 (Netherlands) /
||Genre: Drama, Mystery, New
||Director: Michelangelo Antonioni,
||Stars: Angela Tommasi Di Lampedusa, Dominique Blanchar, Dorothy De Poliolo, Esmeralda Ruspoli, Franco Cimino, Gabriele Ferzetti, Giovanni Danesi, Giovanni Petrucci, Jack O'Connell, James Addams, Lea Massari, Lelio Luttazzi, Monica Vitti, Prof. Cucco, Renzo Ricci
||Synopsis: A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find Anna, the main character up to this point, has gone missing. Sandro, Anna's boyfriend, and Claudia, Anna's friend, try without success to find her. While looking for the missing friend, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, and all but forget about the missing Anna. Written by Dork <[email protected]>
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There's something strange going on in this film.
The first time I watched it, it seemed to wash over me without
affecting me in anyway. Later on(and I've read this in other people's
comments here as well) I found images and dialogue from the movie
creeping into my subconscious; entire dreams would take place upon the
island where Anna goes missing(often in monochrome), or I'd start to
compare real life events to those that occur during the film. Did
Antonioni plant subliminal messages within the movie? Probably not.
It's more likely the masterful pace he employs here, coupled with the
busy, deep cinematography is the cause of this. Notice how the
backgrounds NEVER go out of focus, no matter how much is going on
within the frame. Check out the scene about an hour and ten minutes in,
where Sandro and the old man are talking in the middle of an extremely
busy street; nothing blurs or goes out of focus, even when a tram comes
in and out of the shot, nothing loses it's perspective, and as the
scene ends and they walk deep into the shot we can see way past them
and far, far into the distance.
This seems to be why the film has such a deep affect on the
subconscious. The characters are deliberately shallow and are placed at
the very foreground of every shot, yet the backgrounds are rich
tableaux bustling with life. In the scenes on the island where Anna
disappears, we see the main characters always in shot, yet in the
background there is a feeling that something strange within nature
itself is going on. The darkening of the clouds, the sudden mist upon
the water, the rocks falling to the sea, even the sudden appearance of
the old hermit character, all give a certain unease.
There's also the haunting feeling of the film, as Anna's friends begin,
almost immediately to forget about her. Soon, they don't seem to care a
jot about her, and neither, in a sense, do we. It's this feeling of
loose ends and guilt on our part(for joining her so called 'friends' in
forgetting about her so quickly) that leaves the deepest impression.
The characters in this film are so morally shallow(the ending bears
this out) yet they are the reason this film leaves such a strong
impression on those who watch it, and who become captivated by it.
I cant recommend this film to everyone because I know that the
Hollywood Blockbuster has reduced most modern cinema-goers attention
spans to almost zero. But if you fancy a challenge, or merely wish to
luxuriate in classic cinema.....begin here.
Tags for L'avventura Full Movie
Angela Tommasi Di Lampedusa
, Dominique Blanchar
, Dorothy De Poliolo
, Esmeralda Ruspoli
, Franco Cimino
, Gabriele Ferzetti
, Giovanni Danesi
, Giovanni Petrucci
, Jack O'Connell
, James Addams
, Lea Massari
, Lelio Luttazzi
, Monica Vitti
, Prof. Cucco
, Renzo Ricci
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