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||IMDB Rating: 7.6/10 from AL votes
||Release: 24 August 2000 (Netherlands) /
||Genre: Comedy, Drama, Music, Romance
||Stars: Ben Carr, Catherine Zeta-Jones, Chris Rehmann, Drake Bell, Iben Hjejle, Jack Black, Joan Cusack, Joelle Carter, John Cusack, Lili Taylor, Lisa Bonet, Natasha Gregson Wagner, Shannon Stillo, Tim Robbins, Todd Louiso
||Synopsis: Thirty-something Rob Gordon, a former club DJ, owns a not so lucrative used record store in Chicago. He not so much employs Barry and Dick, but rather keeps them around as they showed up at the store one day and never left. All three are vinyl and music snobs, but in different ways. Rob has a penchant for compiling top five lists. The latest of these lists is his top five break-ups, it spurred by the fact that his latest girlfriend, Laura, a lawyer, has just broken up with him. He believed that Laura would be the one who would last, partly as an expectation of where he would be at this stage in his life. Rob admits that there have been a few incidents in their relationship which in an of themselves could be grounds for her to want to break-up. To his satisfaction, Laura is not on this top five list. Rob feels a need not only to review the five relationships, which go back as far a middle school when he was twelve, and try to come to terms with why the woman, or girl as the case may be... Written by Huggo
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Having read the very good Nick Hornby novel of the same name I looked
forward to "High Fidelity" quite a bit, but I never expected it to be
as good as it is. This is easily one of the best comedies of all time
for its laughs alone - but what separates it from other comedies
(particularly new-age ones) is that it's a very poignant multi-layered
tale that focuses, primarily, on males - and why we are as we are.
Love, life, relationships, music, movies, hobbies, jobs, ticks, ups,
downs - everything is here.
It's to John Cusack's credit that he took a "classic" contemporary
novel set in London and transposed it to Chicago - and it works just as
well (if not better) than the British version. It shows what a
universal story this actually is, if so many people from all over the
world can appreciate it, no matter where it is set. What we lose here
are the abbreviations such as "mate," "cos" and other British
expressions - but essentially the story is exactly the same, as is the
character of Rob Gordon.
Cusack proves his worth here and there isn't a single bad performance
in this film, except perhaps for the love interest who tries to sport
an American accent and it's quite uneven at times.
Jack Black is fantastically funny and reveals once again why he's
leagues ahead of other obese comedians like Chris Farley who merely
relied on OTT acts and weight for laughs - Black, like John Candy,
actually acts and so far in his career has turned out some really good
films which is more than can be said for many of his competitors.
The script has some very funny one-liners and movie/music in-jokes (I
love the "Evil Dead" bit - "Because it's so funny, and violent, it's
got a kick-a$$ soundtrack...and it's so violent!").
But at the end of the day what really haunted me (so to speak) about
this movie long after I had seen it was the fact that it DOES stay with
you ages after the credits have stopped rolling. It's poignant and
really spot-on in many regards - add that to a film full of flawless
performances and great direction and clever ideas and one-liners and
jokes, and you've got a top-notch comedic masterpiece that places "High
Fidelity" in the top ranks of American (and British!) comedy - "with,"
as the DVD back cover says, "a bullet." Highly recommended. 5/5
Tags for High Fidelity Full Movie
, Catherine Zeta-Jones
, Chris Rehmann
, Drake Bell
, Iben Hjejle
, Jack Black
, Joan Cusack
, Joelle Carter
, John Cusack
, Lili Taylor
, Lisa Bonet
, Natasha Gregson Wagner
, Shannon Stillo
, Tim Robbins
, Todd Louiso
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