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||IMDB Rating: 6.8/10 from R votes
||Release: 4 May 2000 (Netherlands) /
||Genre: Drama, Thriller
||Stars: Afemo Omilami, Aida Turturro, Arthur J. Nascarella, Cliff Curtis, Cullen O. Johnson, Cynthia Roman, John Goodman, Marc Anthony, Mary Beth Hurt, Nestor Serrano, Nicolas Cage, Patricia Arquette, Sonja Sohn, Tom Sizemore, Ving Rhames
||Synopsis: An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out, exhausted, seeing ghosts, especially a young woman he failed to save six months' before, and no longer able to save people: he brings in the dead. We follow him for three nights, each with a different partner: Larry, who thinks about dinner, Marcus, who looks to Jesus, and Tom, who wallops people when work is slow. Frank befriends the daughter of a heart victim he brings in; she's Mary, an ex-junkie, angry at her father but now hoping he'll live. Frank tries to get fired, tries to quit, and keeps coming back, to work and to Mary, in need of his own rebirth. Written by [email protected]
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Bringing out the Dead, unfortunately, has fewer fans than it deserves. Why?
Because this isn't simply a "New York" movie, or a movie about a paramedic,
or about euthenasia, despite the ostensible setting and plot points.
Instead, Scorsese has created a cinematic myth about how haunted modern
existence can be, and what it takes to be "saved" and find grace in a
seemingly godless world. His vision of New York is all literate existential
comedy, not a window into the rotten Big Apple. Mere satiric commentary on
the tragedy of life in New York is for journeyman directors; Scorsese is
doing something else entirely here.
In other words, this is that really rare beast--a literate film that is,
first and foremost, still a great movie. In the plot and its implications,
there's more here of Flannery O Conner or Virginia Woolf than there is here
of, say, Tom Wolf. More pariticularly, Bringing out the Dead does with
masterful filmmaking what Joyce's The Dead did in prose. This film is a
truly eye-opening investigation into how the living exist in the shadow of
the dead and dying.
The film accomplishes this incredibly difficult task on many levels--the
cinematography alone should give you a clue that this is definitely not Taxi
Driver or Goodfellas--there's something more sublime here (the beauty that
American Beauty explains wonderfully is shown everywhere in this film, but
Bringing out the Dead is less mundane, simple and "character" oriented).
Every shot is right, and the numerous computer effects here--on display
almost for their own sake in The Matrix--are here poetically put together by
a master director.
So, just for it's approach to a subject that few movies or directors would
even attempt, this film will be a classic. Oddly enough, one of the few
movies it can be compared with is Hitchcock's Vertigo, which confronts the
same issues in a different way. Scotty's (Jimmy Stewart) desire to "raise"
the dead is as strong as Frank's, and audiences didn't much like Vertigo
when it was released either.
The acting, the music, the incredible photography--they're all great, if you
realize you are watching a literate, funny, well-plotted (as opposed to
simply plotted) meditation on the ghosts that increasingly inhabit our
Too good for a grade: see it on the biggest, best screen you can while you
can. BTW--it's better the second time.
Tags for Bringing Out the Dead Full Movie
, Aida Turturro
, Arthur J. Nascarella
, Cliff Curtis
, Cullen O. Johnson
, Cynthia Roman
, John Goodman
, Marc Anthony
, Mary Beth Hurt
, Nestor Serrano
, Nicolas Cage
, Patricia Arquette
, Sonja Sohn
, Tom Sizemore
, Ving Rhames
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