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IMDB Rating: 3.4/10 from votes
Release: 9 January 2015 (USA) /


Genre: Drama, Thriller
Stars: , , , , , , , , , , , , , ,
Synopsis: The daughter of a wealthy real estate broker falls in love with a younger man, who introduces her to BandD and SandM. Using her newly awakened sexual prowess, she finally takes charge of her own life.

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Critic Reviews

IMDb readers of the present and future may well look at the low rating --2 -- and think that this reviewer is perhaps being harsh...? However, in fairness, I will note that, if you take the time to research the IMDb reviews of other productions where Jared Cohn has acted as both writer and director, you will discover even lower ratings than that number associated with his work.

The story deals with the "older" daughter of a successful businessman who gets involved with a sexual partner who attempts to bring out aspects of her sexuality (BDSM) with which she, presumably, was not already familiar.

Brought to you by the same team that gave you BIKINI SPRING BREAK (among others) and starring the irrepressible Daniel Baldwin (whom, one reviewer noted, seemed to be reading his lines off cue cards he had never seen before), the most interesting thing about the film is the casting of Charisma Carpenter in the lead.

For those visiting from another planet, TV is the 90s was dominated by the emergence of a young auteur named Joss Whedon (yes, the same Joss Whedon who gave new life to the Marvel library in his Avengers I script).

Whedon, by the end of that decade, had not one but two breakout hits on his hands, each handled by a different network -- (Buffy and Angel)-- and each prominently featured Capenter.

In other words, you could not miss her even if you wanted to. And no one wanted to. She was perky, fun, gorgeous, and memorable.

The prevailing view is that Carpenter's career since those days has been somewhat problematic, and an argument can be made that this effort is yet another attempt to recapture her glory days and reconnect with former fans.

As for the production itself, it features the standard levels of quality that Cohn and his company, Asylum, are known for -- perfectly lit sets starring exceptionally good looking people in static (low movement) environments with lots of head and shoulders framing.

Where the director wants the audience to really "get" that something important is happening on-screen, he will attempt to do this via a change in the lighting, as opposed to the more traditional ways (such as through the dialog or the acting).

That technique, in real life, is just as effective as it sounds.

Really and truly, for Carpenter fans only.

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