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||IMDB Rating: 4.2/10 from PG-13 votes
||Release: 27 September 2013 (USA) /
||Stars: Brett Harris, Cassie Brennan, Clay Walker, James Hartner, Jenn Gotzon, Joanie Stewart, John Telfer, Joseph Gray, Kelly Devens, Kelly Greyson, Natalie Racoosin, Ozzie Torres, Robert Pierce, Tony Wade, Victoria Emmons
||Synopsis: The year is 1755, and the English colonies are being ravaged by the atrocities of war. Opposing European powers have clashed over the fertile Ohio valley, and entire families are devastated by the ensuing violence. Hostile native tribes are raiding the vulnerable frontier farms, and two young sisters are among those taken captive. While hoping for rescue and return to their home, they are comforted with the words of a family hymn: Alone Yet Not Alone. But when the sisters are suddenly and cruelly separated, their tender faith is brought to a stretching point. Forcibly immersed into a primitive foreign culture, the older sister, Barbara, clings to her beliefs. Yet now a deeper fate threatens, and she makes a difficult decision: to risk her life in an attempt to escape. Pursued by a relentless and cunning warrior, Barbara and her three fellow captives must cross over two hundred miles of raw wilderness in their effort to reach friendly territory. Will their courage and trust in God be ... Written by Anonymous
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Disclosure: My production company produced an 18th century television
series ("Courage, New Hampshire"), and while we're toiling in the same
time period, this project ("Alone, Yet Not Alone") was out of our
league on the budget front. "Alone" has some crowd scene production
value (village/nautical/battle sequences) that have a truly "big film"
look. I thought the stunt work in the battle scenes was more than
credible. Some of the sets were stunning, and the cinematography was
Having said that, and trying to be as honest as I can about other 18th
century projects (I liked "Turn", Hated "Sons of Liberty"), I think the
script and the direction lacked any objective review. Faith films
always seem burdened by the need to project a wholesomeness, and a
cheerfulness in even mundane human exchanges that can put a strain on
the audience. You can't even get your belongings off a ship, in these
stories, or chase a dog through the woods without smiling like Howdy-
Doody. Against the perils of carving out a wilderness farm, these
appear to be the happiest German immigrants ever minted. Plant a seed -
- smile broadly. Split some firewood -- make your sister giggle. Bake
some bread -- look beatifically on the blessed land. (I know this is in
reaction to dark, existential versions of history by conventional
Hollywood, but still..)
The savages: one of the reasons I have never attempted (yet) to include
a Native American component in "Courage" is that it's just difficult to
tell this story honestly.The actual Barbara Leininger account (the
primary history upon which "Alone, Yet Not Alone" is based) includes
journal accounts like this one:
"Three days later an Englishman was brought in, who had, likewise
attempted to escape with Col. Armstrong, and burned alive in the same
village. His torments, however, continued only about three hours, but
his screams were frightful to listen to. It rained that day very hard,
so that the Indians could not keep up the fire. Hence they began to
discharge gunpowder at his body. At last, amidst his worst pains, when
the poor man called for a drink of water, they brought him melted lead,
and poured it down his throat."
"Having been recaptured by the savages, and brought back to Kittanny,
she was put to death in an unheard of way. First, they scalped her;
next, they laid burning splinters of wood, here and there, upon her
body; and then they cut off her ears and fingers, forcing them into her
mouth so that she had to swallow them..."
(The Declaration of Independence doesn't use the term "savages"
gratuitously, in other words.)
Although "Alone" hints at some of this brutality, the overall effect
feels a bit more like "My summer vacation playing with Indian war
paint." If you don't want to show the actual ears being cut off, you
can do the Hitchcock thing and let us hear it, but you have to let us
know that mortal peril is always there, or you cheapen the terror these
women must have felt.
Look, movie making is hard work. I've made all of these mistakes, and
more. Onward and upward, folks.
Trivia: despite the rumors of ending up on the cutting room floor, Doug
Phillips actually does a fair amount of face time in this film.
Tags for Alone Yet Not Alone Full Movie
, Cassie Brennan
, Clay Walker
, James Hartner
, Jenn Gotzon
, Joanie Stewart
, John Telfer
, Joseph Gray
, Kelly Devens
, Kelly Greyson
, Natalie Racoosin
, Ozzie Torres
, Robert Pierce
, Tony Wade
, Victoria Emmons
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