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||IMDB Rating: 6.1/10 from 945 votes
||Release: 15 February 1915 (USA) /
||Genre: Comedy, Short
||Director: Charles Chaplin,
||Stars: Charles Chaplin
||Synopsis: Charlie and Ben pay a visit to a pub, then decide to visit a swanky restaurant. Now intoxicated, they come into conflict with a French dandy and his ladyfriend. The large head waiter violently ejects Ben, and later ejects Charlie also. The pair pay another visit to a pub, then make their way to their hotel. They become interested in a pretty young woman staying in the room across the hall, but when Charlie spies on her through the keyhole a bellboy makes him stop. Charlie is taken aback to realize that the young woman's husband is the head waiter from the restaurant. He promptly checks out and moves to another hotel. Meanwhile, the head waiter and his wife, dissatisfied with the service, also decide to move to another hotel-- and, unfortunately, choose the same one Charlie has chosen, and once more wind up in the room across the hall from him. When the young woman's dog runs into Charlie's room she follows in her pajamas. Her husband returns to find his wife with Charlie in an ... Written by wmorrow59
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Viewers interested in Charlie Chaplin's early work (i.e. the rough
stuff, with lots of drunken foolery and butt-kicking) may well enjoy
this film. I confess I enjoyed it, the way I might get a kick out of
watching Championship Wrestling for twenty minutes or so. If it's
Chaplin the Artiste you want then try the later productions, but if
you're in the mood for rude and unrefined slapstick then A Night Out
should fit the bill nicely.
This is the second film Chaplin made for the Essanay company, and it
also marks the second and last time he teamed up with knockabout comic
Ben Turpin. Chaplin and Turpin don't pair especially well on screen,
and it's said they didn't get along off-camera either, which is no
surprise. Chaplin was a gifted mime, an inspired comedian and an
exacting filmmaker, while Turpin was a low-comedy clown with crossed
eyes. Ben could take a fall with the best of them, but it's said he
didn't understand why Chaplin the perfectionist demanded take after
take of each scene. There in a nutshell you have the difference between
an artist and a hack.
As it happens, despite the modest trappings of this film Chaplin's
special gift comes across in several nice little moments. Early on,
during the sequence in a swanky restaurant, the drunken Charlie stands
at an indoor fountain and suddenly seems to believe he's washing up in
the privacy of his own home, so naturally enough he brushes his teeth
with the stem of a plant. It's a strange bit of business, almost
dreamlike, but Chaplin makes it appear perfectly normal and routine.
Later, checking into a hotel, Charlie attempts to rest his foot on the
bar rail -- which happens to be invisible -- and drink ink from the
This film is most notable as the debut of Chaplin's longtime leading
lady Edna Purviance, who was only 19 years old at this time and very
pretty indeed. Her first scenes are fairly low-key, but later on, when
she's in pajamas playing with her dog, Chaplin grants Edna a couple of
close-ups which look something like a screen test. Obviously she passed
the test with flying colors, for Edna went on to play opposite Chaplin
in virtually every film he made for the next eight years, the happiest
and most prolific period of his creative life. If for no other reason,
A Night Out is worth seeing for the debut of this beautiful and
underrated silent screen actress.
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