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A Little Sex
IMDB Rating: 4.9/10 from 379 votes
Release: 2 April 1982 (USA) /

A Little Sex

Genre: Comedy, Romance
Director: Bruce Paltrow,
Stars: , , , , , , , , , , , , , ,
Synopsis: The story of one man's hilarious - and doomed - attempts to wield life's ultimate double-edged sword: infidelity.

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Critic Reviews


A Little Sex (1982): Starring Tim Matheson, Kate Capshaw, John Glover, Edward Herrmann, Joan Copeland, Susanna Dalton, Wendie Malick, Wallace Shawn, Sharon Bamber, Betsy Aidem, Tanya Berezin, Michael Bias, Kim Von Brandenstein, Christy Brown, Barbara Bratt, Leigh Curran, Robert Burr, Frankie Faison, Sarah Felcher, Sharon Foote, Lisa Dunsheath, Dona Fowler, Sam Gray, James Greene, Delphi Harrington, Frances Helm, Carolyn Houlihan, Elva Josephson, Wayne Kell, Ann Lange, Sagan Lewis, Merry Loomis, Renee Lippin, Ronald Maccone, Geretta Geretta, J. Frank Lucas, Carolyn Perry, Nick Petron, Don Phillips, Isabel Price, John Tillinger, Bill Smitrovich...Director Bruce Paltrow, Screenplay Robert De Laurentiis.

From 1982, Director Bruce Paltrow's "A Little Sex" is not a very well-known or even memorable film but it is without a doubt a very well-made romantic comedy/drama about the "myth of monogamy" and the natural inclination to cheat - and its effects on a marriage. The film stars Tim Matheson and Kate Capshaw as Michael and Katherine, who have enjoyed a long relationship together even before they tie the knot. But Michael does not hide the fact he's a womanizer and sex addict, cheating on Katherine during their pre-married relationship. Because Katherine is genuinely in love with him, she is willing to overlook this and believes that perhaps marriage will change things. Michael, too, believes that marriage will change him. Sexual infidelity and promiscuity is compared to Michael's smoking habit (and everyone else's' smoking habits). He quits for a while when he gets married but he cannot fight it for too long. His best friend, Tommy (Edward Herrmann) advises him in a rather liberal-minded way and their conversations- usually on a walk through New York City's Central Park- are possibly the most thought-provoking part of the film. The film's theme of a man's transformation from womanizer to monogamous husband is well captured and despite the nearly Woody Allen Hollywood-ness, is actually very realistic. We genuinely feel for Katherine and understand how hurt she feels when she discovers Michael's betrayal. The film not only boasts a fine script (courtesy of writer Robert De Laurentis), but meaningful visuals/cinematography by Ralf D. Bode, whose depiction of New York City at the beginning of the 1980's is not only truthful and atmospheric, but it's part of the story itself, like a character itself. The "irony" scenes in which Michael walks down the streets of New York are masterful. The first of these scenes, which are not realistic but seem to prove a point, is when he is married but finds temptation everywhere in the ridiculous excess of women coming out of taxi cabs, walking down the street, flirting with him, looking at him with lust, showing him what he can no longer have and what he really wants at this point. After he cheats on her, with Philomena (played by Wendie Malick (Nina Von Horne from "Just Shoot Me" and a lesser-known actress) an oboist for the New York Philharmonic, he comes to regret it, especially because his wife has now filed for divorce. Feeling sorry that he has lost the real love of his life in a stupid act of meaningless sex, he walks down the same streets and this time he sees happy couples who are deeply in love, something he now wants but cannot have. Before this film gets too depressive- and it can seem this way, especially with the sad look toward the end and melancholy classical-style music by Georges Delerue- the couple are once again drawn to each other after finally being able to put this mistake behind. For any fan of Tim Matheson, who was actually a versatile actor, considering he was in "Animal House" and "Up The Creek"- which are not at the level of this film- this is real treat. Kate Capshaw is magnificent and sympathetic. This is a moving film about innocence lost, about finding happiness and meaning after a near lifetime of meaningless pursuits of pleasure. This is a great film and one I highly recommend for married couples and for dating couples.

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