Watch A Canterbury Tale putlocker
||IMDB Rating: 7.7/10 from 3,478 votes
||Release: 21 August 1944 (UK) /
||Genre: Comedy, Drama, Mystery, Thriller, War
||Director: Michael Powell,
||Stars: Betty Jardine, Charles Hawtrey, Dennis Price, Edward Rigby, Eliot Makeham, Eric Portman, Esmond Knight, Freda Jackson, George Merritt, Harvey Golden, Hay Petrie, James Tamsitt, John Sweet, Leonard Smith, Sheila Sim
||Synopsis: A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours glue on the hair of girls dating soldiers after dark. The three attempt to track him down, and begin to have suspicions of the local magistrate, an eccentric figure with a strange, mystical vision of the history of England in general and Canterbury in particular. Written by David Levene <D.S.Levene@durham.ac.uk>
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Watch A Canterbury Tale - Alternative Versions.
The major disadvantage when recommending this film to someone is that
it's practically impossible to describe! It's easy enough to say what
it *isn't*: it's not a detective story and it's certainly not a
thriller, despite the fact that it nominally revolves around an
unsolved crime. It's not a war-story, despite the fact that it is set
immediately before D-Day and the main characters are intimately
involved in the war effort. It's not a romance, despite the fact that
two of the characters have an unhappy love-story. And it's not the
Chaucerian epic one might be led to expect by the title and the opening
scene - although by the end, the pilgrimage allusions turn out to be
rather more strangely apt then they at first appear.
The only word I can find to give a flavour of this story is that it is
above all English - as English as Ealing comedy (without the comedy),
as Miss Marple (without the murder), as Elizabeth Goudge (without the
magic)... and yet again I find myself defining it by what it *isn't*!
It's English in a way that is quietly, deeply antithetical to the
frenetic posturing of 'Cool Britannia'. It is as English as the haze
over the long grass beneath the trees of a summer meadow; as polished
brass and a whiff of steam as the express pulls up at a country halt;
as church bells drifting in snatches on a lazy breeze, and the taste of
blackberries in the sun.
It's almost impossible now to comprehend that the 1940s countryside in
which this film is set was *really there*; that it was not the Second
World War but its crippling aftermath that industrialised farms,
banished the horse-drawn vehicles from the wheelwright's, and exchanged
towering hay-wains for silage towers. Britain was determined never to
starve again - and so the world that had once differed so little from
that of Chaucer's time was swept away beyond recall. When it was made,
this film was no more a rustic period piece than 'Passport to Pimlico',
a few years later, was an urban social documentary. Subsequent events
have preserved both in mute evidence of contemporary communities that
are almost unbelievable today.
It is perhaps fair, therefore, to assume that the type of viewer who
will watch 'Battlefield Earth' is unlikely to find this film anything
other than silly, parochial and ultimately dull! Very little actually
happens. The story is on occasion both humorous and poignant, but what
we at first assume to be the central plot turns out not to be the point
at all. The triple denouement is set up so gently and skilfully that
we, too, are taken by miraculous surprise, with the true shape of the
film only evident in retrospect.
It is, ultimately, a story about faith, and miracles, and pilgrimages,
even in the then-modern world of shopgirls, lumbermen and cinema
organists - and if that idea in itself sounds enough to put you off, as
I confess it would have done for me before I watched it myself, then I
will gladly add that it is a film about beauty, and hope, and
unexpected friendship and laughter; and technically very accomplished
to boot. The use of black and white is glorious, ranging from the
glimmer in the obscurest of shadows to sun-drenched hillside, and the
totally unselfconscious reference to Chaucer in the opening sequence is
in these days worth the price of admission alone.
If you like gentle films - sweet-natured films - films with a deep
affection for their subject - films that make you laugh and cry, but
always smile - then I urge you not on any account to miss this one. If,
for the moment, you require thrills, spills, forbidden passions and
last-minute rescues, then pass it by and let it go on its tranquil way.
When you are old and grey and full of sleep, this unassuming classic
will still be there, waiting...
Tags for A Canterbury Tale Full Movie
, Charles Hawtrey
, Dennis Price
, Edward Rigby
, Eliot Makeham
, Eric Portman
, Esmond Knight
, Freda Jackson
, George Merritt
, Harvey Golden
, Hay Petrie
, James Tamsitt
, John Sweet
, Leonard Smith
, Sheila Sim
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