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||IMDB Rating: 7.5/10 from 4,067 votes
||Release: 24 November 1941 (UK) /
||Genre: Adventure, Drama, Foreign, Thriller, War
||Director: Michael Powell,
||Stars: Anton Walbrook, Basil Appleby, Charles Victor, Eric Portman, Finlay Currie, Frederick Piper, Glynis Johns, John Chandos, Laurence Olivier, Leslie Howard, Ley On, Niall MacGinnis, Peter Moore, Raymond Lovell, Richard George
||Synopsis: In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in the Gulf of St. Lawrence and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat's Fanatical Nazi captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crews' return to the Fatherland. He needs to reach the neutral United States or be captured. Along the way they meet a variety of characters each with their own views on the war and nationalism. In this film Michael Powell and Emeric Pressburger show their ideas of why the United States should join the Allied fight against the Nazis. Written by Steve Crook <email@example.com>
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Watch 49th Parallel - Alternative Versions.
Unless you believe George Orwell's claim that all art is propaganda;
with all due respect to one of the twentieth century's finest minds, is
poppycock. The propaganda film is a special kind of film, usually
unbearable garbage. This one is an exception.
A German U-boat is sunk just off the coast of Canada and the surviving
must make it through hostile enemy country to the neutral United States.
After a short while their plight becomes known and the whole world is
watching to see which nation, Canada or Germany, can manage to win the
The most interesting thing - considering the movie as propaganda - is that
Powell's intended audience was the United States: he wanted to get that
country involved in the war, or at least get the people of that country to
support the war. Realise this and you realise how remarkably subtle the
film is. Not once is Powell's goal explicitly stated or even alluded to;
and even the underlying message (the USA *is* involved in the war, whether
it wants to admit it or not) requires some thought to work out. Yet it's
integral part of the story. More explicit is the democracy vs.
theme, which is hammered home a number of different ways, not all of them
obvious. (This theme is handled a bit too obviously now and then, I'll
Another interesting fact is that the hero of the story is either
or Canada, or the Western Allies, or some such - no one person plays the
role. The central characters are the Germans. In fact they're all quite
likable (except for the doctrinaire Nazi, of course). Powell bends over
backwards to inhibit anti-German sentiment. Despite all this we are not
once on the Germans' side. We want them to be captured so long as they
continue to serve an evil regime.
It's also a beautifully shot travelogue of Canada. And Ralph Vaughan
Williams's score is lovely. He was seventy or so when he wrote it; he'd
never written for the cinema before; he had his own ideas about what film
music should be like.
Tags for 49th Parallel Full Movie
, Basil Appleby
, Charles Victor
, Eric Portman
, Finlay Currie
, Frederick Piper
, Glynis Johns
, John Chandos
, Laurence Olivier
, Leslie Howard
, Ley On
, Niall MacGinnis
, Peter Moore
, Raymond Lovell
, Richard George
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